Select ICE Press | Past Seasons
December 29, 2018, The Log Journal, Best of 2018 / Noteworthy Recordings / Steve Smith
December 24, 2018, Sequenza 21, Best Composer Portrait CDs of 2018
December 5, 2018, Sequenza 21, Best Violin Concerto CD of 2018
December 18, 2018, NPR.org, The Best Classical Albums of 2018
December 18, 2018, The Wall Street Journal, Anna Thorvaldsdottir’s Aequa reviewed
December 13, 2018, The New York Times, The Best Classical Tracks of 2018
December 6, 2018, The New Yorker (Alex Ross), Notable Classical Performances and Recordings of 2018
October 15, 2018, The New York Times, A ‘Lost Highway’ Suite Refracts David Lynch
September 17, 2018, The New Yorker, In Plain Air Preview
September 14, 2018, The New York Times, Resonant Bodies Festival Gives Voices Room to Breathe
September 12, 2018, The New York Times, Classical Fall Preview: Debuts, Premieres, a New Philharmonic Maestro
September 5, 2018, Time Out New York, Your Guide to Classical Music This Fall in NYC
August 31, 2018, Philadelphia Inquirer, Philly Fringe 2018: The 25 Must-See Productions
August 27, 2018, The New Yorker, Fall Classical Music Preview
August 21, 2018, I Care If You Listen, Jubilant Performances by ICE and Friends at Mostly Mozart’s Grand Pianola Music
May 17, 2018, The New Yorker, Wang Lu: Urban Inventory
May 3, 2018, San Francisco Chronicle, CD Review: Steve Reich: Pulse/Quartet
April 23, 2018, Chicago Classical Review, Contempo Marks Earth Day with Bracing “Nature” Program
April 16, 2018, The Wall Street Journal, An Opera Festival's Local Focus
March 26, 2018, Rolling Stone, The Best 10 Things We Saw at Big Ears
March 2, 2018, The New York Times, Sonic Misdirection
February 23, 2018, The New Yorker, A Dynamic Flutist Makes Art and Community
February 15, 2018, The Guardian, Reich: Pulse/Quartet CD Review – Pitch Perfect Performances
February 4, 2018, The New York Times, That Decisive Moment: Serenely Unpredictable
January 25, 2018, The New York Times, A Whispered Opera Requests Your Close-Up Attention
January 18, 2018, The Rest is Noise blog, Alex Ross's Nightafternight playlist
January 17, 2018, The New York Observer, Prototype Festival Showcases the Operas that Major Companies Should Be Showing
January 16, 2018, Time Out New York, The whisper opera is the latest immersive music experience to hit NYC
January 15, 2018, The New York Times, Without Singing, the Moth Hits the High Notes in "The Echo Drift"
December 14, 2017, I Care If You Listen, Stunning Posthumous Pauline Oliveros Opera at Roulette
November 24, 2017, The New York Times, An Unfinished "Phantom Opera" is Completed With Love
October 23, 2017, The New Yorker, Infrasound Opera
October 10, 2017, The New York Times, The Force of Things: an Indirectly Audible Opera
August 17, 2017, The New Yorker, The Expansive Possibilities of Schubert’s “Winterreise”
August 15, 2017, The New York Times, A Funky Rethinking of Schubert’s Winter Journey
June 23, 2017, The New York Times, A 20th-Century Sequel to ‘Barber of Seville’ and ‘Figaro’
June 12, 2017, Los Angeles Times, Transcending genre labels, Vijay Iyer leads the Ojai Music Festival toward bold new territory
May 15, 2017, The New York Times, Brooklyn Youth Chorus Explores Issues Facing Its Members
May 3, 2017, Houstonia Magazine, Vijay Iyer Performs Live to a Screening of Radhe Radhe: Rites of Holi
April 26, 2017, The New York Times, Listen to Claire Chase, the Flutist Who Just Won $100,000
March 31, 2017, The National, UAE Edition, The Cacophony and Color of Holi Artfully Rendered
February 6, 2017, WNYC's Soundcheck, Remembering Pauline Oliveros at the Park Avenue Armory
January 25, 2017, San Francisco Classical Voice, The International Contemporary Ensemble Goes Multilingual
January 9, 2017, The New York Times, ‘Anatomy Theater,’ an Opera, Puts Convicts Under the Knife
January 9, 2017, Parterre Box, that is the explanation of the crime
January 7, 2017, CBS This Morning, Orchestras experiment with innovative ways to reach audiences
November 21, 2016, San Francisco Classical Voice, Letter From Chicago: The City Is Second to None for New Music
November 4, 2016, The New York Times, Just Why Does New Music Need Champions?
November 2, 2016, The Guardian, Steve Reich's 80th birthday celebration
November 2, 2016, New York Classical Review, “Pulse” premiere shines brightly at Steve Reich’s Carnegie birthday bash
October 31, 2016, The Wall Street Journal, Steve Reich, at 80, Keeps Up the Rhythm
October 27, 2016, Cleveland Classical, Vijay Iyer & International Contemporary Ensemble (ICE) at CMA
October 22, 2016, The Cleveland Plain Dealer, Int'l Contemporary Ensemble re-imagines Stravinsky's 'Rite' with Indian film
October 17, 2016, The New York Times, ICE’s Founder, Claire Chase, Will Relinquish Leadership Role
October 15, 2016, Cleveland Classical, Cleveland Museum of Art to present Vijay Iyer & ICE in "Radhe Radhe: Rites of Holy"
October 8, 2016, Chicago Tribune, Ear Taxi fest features heartwarming works
August 25, 2016, Musical America, A Night of Musical Premieres at Mostly (ICE and Somewhat) MozartMusical America
August 24, 2016, The New York Times, New Music Inspired by Christ’s Agony and Dating Apps
August 24, 2016, The Philadelphia Inquirer, Philly group The Crossing wows at New York's Mostly Mozart Festival
August 22, 2016, The New York Times, Reimagining Josephine Baker’s Music in the Era of Black Lives Matte
August 21, 2016, WQXR New York, "Stupid Musician Tricks" with ICE and NYPL
June 27, 2016, The Philadelphia Inquirer, The Crossing: 'Just when you think you've heard everything...'
June 16, 2016, The New York Times, At Ojai, Peter Sellars Has a Personal Yet Global Playlist
June 16, 2016, San Francisco Chronicle, Ojai festival’s women come north to Berkeley
June 14, 2016, LA Times, Worlds meet and worlds beyond at Ojai Music Festival
June 10, 2016, The New York Times, Women Rule at Ojai Festival, Unannounced
March 23, 2016, New York Magazine, "De Materie": Zeppelins, Confusion, and the ’80s Avant-Garde at the Armory
March 23, 2016, The New York Times, "De Materie," Of Mind, Matter, and Sheep
January 28, 2016, The New York Times, Chains Clink, Water Splashes: A Composer's Beautiful Noise
November 18, 2015, The New York Times, A Pierre Boulez Tribute, Eight Months Late
October 11, 2015, The New York Times, John Luther Adams, Lauded and Played at Columbia
September 16, 2015, The New York Times, ICE Features Levy Lorenzo on Teacups and Rebekah Heller on Bassoon
August 19, 2015, The New York Times, George Benjamin, at Mostly Mozart, Shows Depth as a Conductor
June 30, 2015, The New Yorker, Outsiders: The Ojai Music Festival
May 28, 2015, The New York Times, International Contemporary Ensemble Weaves Among Tonalities
May 24, 2015, The New York Times, 'Afterward, the AACM (as) Opera' Lends a Voice to Stories of Black History
May 20, 2015, The New York Times, International Contemporary Ensemble and Others Play in Brooklyn
April 20, 2015, Boston Globe, Fromm concerts tinge with Latin
March 14, 2015, New York Classical Review, ICE celebrates Davidovsky’s birthday with past masterworks and a world premiere
February 27, 2015, Toronto Star, The Whisper Opera screams originality
February 10, 2015, Volkskrant, Fluisteropera van David Lang is magische, intieme ervaring
December 12, 2014, The New Yorker, Notable Performances and Recordings of 2014
December 11, 2014, The New York Times, The Funniest Classical Music Performances of 2014
December 11, 2014, The San Diego Union-Tribune, Steiger's ‘Coalescence’ gets local premiere
November 9, 2014, ArtsNash, Music Review: Vijay Iyer, vamping in Technicolor in the Land of Oz
October 24, 2014, The New York Times, Suggestions of Secrets Beyond the Chaos
October 14, 2014, Chicago Tribune, ICE heats up Chicago's new music scene, at a Bucktown bar
September 22, 2014, New York Arts, Mostly Mozart, Hold the Mozart
August 22, 2014, The New York Times, A Concert Where a Shellfish Helps With the Sound
April 28, 2014, The New Yorker, Singing in Tongues: Two song cycles by Liza Lim
April 28, 2014, Bachtrack, Sweet Thunder Festival, Day Two: International Contemporary Ensemble
April 25, 2014, SFGate, Sweet Thunder review: intriguing electro-acoustic music
April 23, 2014, The New York Times, NY Times Arts Beat Classical Playlist: Carter, Rand Steiger, Mozart and More
April 20, 2014, The New York Times, Meshing Talents for a Dense and Strenuous Sound: Oscar Bianchi's 'Matra' Debuts at the MATA Festival
April 17, 2014, The New York Times, Global Sounds, Woven Together: MATA Festival Returns, With Spotlight on Helsinki
April 9, 2014, The Wall Street Journal, Australian Composer Finds Her Marbles: Liza Lim Creates Unconventional Sounds in 'Mother Tongue'
April 8, 2014, Los Angeles Times, Green Umbrella: Photos from the Los Angeles Philharmonic's Minimalist Jukebox Festival
April 7, 2014, The Washington Post, International Contemporary Ensemble vividly showcases distinct styles of Lara and Balter
March 26, 2014, The New York Times, A Bit of Beethoven in a Mix of Modern: Piano by Jacob Greenberg and Reinier van Haudt at Spectrum
March 17, 2014, Chicago Reader, International Contemporary Ensemble with Alvin Lucier
March 12, 2014, The New York Times, In Performance Video: Claire Chase
February 19, 2014, The New York Times, Classical Playlist: Jenny Lin, Joshua Rubin, David Aladashvili and More
January 13, 2014, Chicago Classical Review, ICE downsizes with intriguing music for oboe and piano, past and present
January 1, 2014, Chicago Reader, 12 O'Clock Track: Phyllis Chen transcends the toyness of her instruments on "The Little Things"